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New York City Book Expo = Book Exposure

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storycon.org Headlined to H4 5/29/15

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Originally Published on OpEdNews

I attended my first Book Expo at the New York City Javits Center with Opednews' own veteran Book Exponier, Rob Kall, who's visiting for his "sixth or seventh year." I'm the anonymous "friend" he mentions in his article Doing BEA 2015 who was looking for a freelance publicist. More on that in a moment but, gee, Rob, you could have mentioned you attended the expo with one of OEN's Managing Editors!

Anyway, it was good to go with an experienced guide to show how to network at a confab like this, which is really the major reason to go. We both went as press, which gave us additional insight to how the publishing world has changed, and not always for the better.

The "rise of the rest" or, as Rob would put it, the "bottom up revolution" is a mixed blessing. While it has allowed for a new slew of writers, orders of magnitude greater than before, it has also so overwhelmed the industry, and the ability of people to read all these books, that marketing has now become more important than the book itself. Some years ago, Amazon predicted there would shortly be more self-published books than traditionally published books, but that prediction is now looking like the good old days. Today,

More than 2.3 million new titles were published in 2012 (the most recent year for which complete figures are available). Of these, 86 percent (more than 2 million books) were "non-traditionally published, including print-on-demand and self-published titles.

...says one of the exhibitors, Indie Book Awards, in their catalog of 2015 winners. Awards like the Indie Awards, are, of course, one of the growing numbers of ways authors try to distinguish themselves from the great mass of pulp out there, perhaps leading to the need to rank awards themselves now, as well as the books. Maybe we need an award for the most important awards?

None of these long odds, however, seemed to dampen the enthusiasm of either the publishers, the support industry, or of the fans, who sometimes queued up by the hundred or more, to get a signed copy of a free book by their favorite author. It's hard to understand how giving away free books, as well as free author's time, is a viable business model, but I guess they make it up in volume"or, maybe not. That the Harry Potter's of the world carry much of the industry, is a cliche. And I didn't pick that super-successful series by accident. A section of the show was dedicated to the series being re-released in a highly illustrated version by Bloomsbury this Fall. And James Paterson, the world's highest-earning author, and never one to miss a publishing opportunity, is launching a children's imprint too. Bottom-up may be percolating with thousands of new authors on the "long tail" as Rob put it when we were talking to a potential publicist for me, but top-down Paterson grossed $90 million last year, says Forbes.

Being definitely in the far end of the long tail myself, with a self-published 2-volume novel, Neitherworld, now both old and (2007-2008) and obscure, and a brand new non-fiction book "America is Not Broke! Four Multi-Trillion Dollar Paths To A Thriving America" (Tayen Lane, 2015) which is doing little better at this juncture, I have been shopping for a publicist. Publishers, especially "micro-publishers" (the term used by another exhibitor for publishers like Tayen Lane, who have under 50 titles) can't or don't do much marketing, at least not by the megabuck standards of the larger houses like McMillan, Scholastic, Disney etc. or even on the micro side at the show, where independent publishers can rent a small table for $1,800 for the show's 3-day run (there's a second, more consumer-oriented 2-day show over the weekend, which the $1,800 fee covers as well). It's good to see there is an opportunity for even the smallest of publishers to get exposure for their less than half dozen titles, but oh, if only they didn't appear so desperate...

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